“Yoel Meranda’s documentary essay, made in the midst of the Gezi Park protests in Turkey at the end of last May, is a clean piece of post-Marker “cine-tract” reportage. Meranda conveys the events (the growing public consensus against President Erdogan, the heavy-handed response), the experience of being in the thick of events on June 9, and, through his editing and phenomenological awareness, a broader sense of the current event in history. All this is felt, as you watch it, in part no doubt because Meranda was both thinking about it and feeling it while he was filming, and looking over his shoulder.”
– Michael Sicinski (http://academichack.net/reviewsJuly2013.htm)